nancylebov (
nancylebov) wrote2010-03-09 08:55 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
How common is the omniscient narrator these days?
From an essay about post-modernism:
One rarely sees the universal, omniscient narrator any more; one expects to ride the "novel" inside one of the character's heads.
I've noticed that getting inside the character's heads is more common-- first person is typical for urban fantasy-- but has third person omniscient actually become rare?
I don't know if there's an important difference between being inside one character's head, or in many characters' heads, as in Martin's A Song of Ice and Fire.
Link from
haikujaguar.
One rarely sees the universal, omniscient narrator any more; one expects to ride the "novel" inside one of the character's heads.
I've noticed that getting inside the character's heads is more common-- first person is typical for urban fantasy-- but has third person omniscient actually become rare?
I don't know if there's an important difference between being inside one character's head, or in many characters' heads, as in Martin's A Song of Ice and Fire.
Link from
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
no subject
Iirc the third volume, without Darley as narrator, just a conventional third person voice, was regular omni.
At the moment I can't think of a good example of first person omni (ie all told looking back from the very end point) though I'm sure there are some.
I think it's a useful distinction, but there are a lot of points along that continuum.