nancylebov: (green leaves)


A dive into Tolkien and maps. In particular, that Tolkien said in a letter to Naomi Mitchison, that "I wisely started with a map". What could he have meant?

We find out that Tolkien certainly didn't start with a map. As we all know, Tolkien started with the languages. Or with an inspiration for the first line of The Hobbit. Or with having a substantial education in old literature and languages. The maps came later, and started with maps of localities where movement needed to be clear, rather than a map of middle earth.

However, apparently some creators take the quote about starting with a map very seriously, and they shouldn't. The video ends with a rant about not letting world-building distract you from writing, though world-building can be a great hobby in itself. There's a lot about the excuses people make to avoid writing, and I don't know how sound it all is.

There is scholarship about Tolkien and maps. Of course there is. I hadn't realized how vague the maps and geography in The Hobbit are compared to LOTR, and how much doesn't match up. I now imagine the Necromancer from The Hobbit waking up in The Lord of the Rings and saying, "Huh? What?".

Anyway, "the Fiery Mountain [from The Hobbit], whose actual placing seems to be entirely vague", from Christopher Tolkien, who made the finished map for LOTR.

The brings back a bit of my headcanon for the Silmarillion. There's mention of a wingless dragon; A wingless dragon seemed a bit odd to me, but alright, it's a wingless dragon. Later in the story, Morgoth(?) has a battle where a dragon would be helpful, but the dragon can't get there in time. And I had a vision of Tolkien with a map and miniatures (I don't think he actually used miniatures, and I don't know whether a literal map was involved) considering how the dragon could be kept out of the fight. I don't know at what point of writing the story Tolkien came up with the dragon.

The video guy is from a game called Monstrous. I needed to sort out that this isn't related to the graphic novel Monstress, which has fabulously beautiful art though I wasn't that interested in the story.
nancylebov: (green leaves)
I've reread the Hobbit, and enjoyed it more than when I read it as a kid, mostly due to reading more carefully.

I did a series about it on Facebook. I'm reposting my posts here to make them easier to find and get further discussion, but there are good comments at the Facebook links.

https://www.facebook.com/nancy.lebovitz/posts/10221497714854725

I'm rereading The Hobbit. It's been a long time, and it's better than I remembered. There's a difference between enjoying a book and realizing how good it is.

Anyway, I'm curious about providence and LOTR. I know it's a topic which has been explored, and I'm finding it interesting that Gandalf insisted on Bilbo accompanying the Dwarves, even though he had no idea where the Ring was, let alone that Bilbo would find it. Or that Gollum would be crucial to the destruction of the Ring, and it was Bilbo's personal qualities which kept him from killing Gollum.

Anyone want to take a crack at it? Or have a good source on the subject?

https://www.facebook.com/nancy.lebovitz/posts/10221557986401476

Still rereading The Hobbit. I'm impressed with the amount of thought-- economics, practicality, and geography/geology that Tolkien put in just so the party had a way to escape from the Elf King. (I'm talking about the barrels, the water-gate, the river, and the barrels.)

It's good to be reminded of ancient days when a water gate was a gate for water and not a shorthand for a political scandal.

It's interesting that Bilbo at home didn't slaughter or butcher his own meat-- it was delivered in packages from the butcher. How far back does that sort of thing go? I'm pretty sure the turkey Scrooge bought was at least plucked.

So I'm just barely out of Mirkwood, with the Lonely Mountain looming threateningly in the distance. I'm surprised at how much of the book is problems with Mirkwood rather than getting close to the treasure and the dragon.

I'm not the only one who's noticed the alternation between safe places and threat.

The trolls and the giant spiders of Mirkwood might be as sentient as orcs, but I haven't seen anyone worry about them.

(The FB thread includes a lot about the history of butchering and kosher butchering.)

https://www.facebook.com/nancy.lebovitz/posts/10221588208517010

I've finished rereading The Hobbit, and as before, I've found plenty to like, much of which I didn't notice on the first reading or didn't appreciate as much.

One thing I'm noticing is what I'm calling parsimony. While there are Dwarves and Elves, and Goblins and wizards and magic eagles, the story is centered around one dragon and one dragon treasure. It's possibly a result of this being intended as one novel rather than an indefinitely extended series.

One thing I appreciated more this time around is how much went into how terrifying Smaug is and how strong the appeal of dragon treasure is.

It's interesting to see how frightening Goblins are. They're not the bottom of the ecosystem the way they are in D&D and Jim Hines' series.

There's some interesting use of alliteration, a thing borrowed from Norse poetry. We're used to rhythm and rhyme, they used rhythm and alliteration.

"Bare is back without brother behind it".

"“A sword age, a wind age, a wolf age. No longer is there mercy among men.”
― Snorri Sturluson, The Prose Edda"

So when we see "He bent his bow for the last time" and
"The black arrow sped straight from the string, straight for the hollow by the left breast where the foreleg was flung wide. In it smote and vanished, barb, shaft and feather, so fierce was its flight.", the alliteration isn't on every stress, but it's there-- and it's much more present in battle scenes.

Have another topic-- part of the fun and sophistication of the book is what I'm going to call social comedy. While it's only a moderately cynical book, people frequently have mixed motives and they're trying to get what that want without telling the whole truth. I don't know if Tolkien got this from Austen or what. Maybe there's more of it in the classic texts than I realize.

There are repeated mentions of Bilbo being lucky-- I have no idea where that fits with the metaphysics of the book or the series.

Something I don't like is Bilbo's size is something I'd call the marked state. The marked state is the opposite of the unmarked state, the usual which doesn't need to be mentioned. Thus, Bilbo is described as having "a little head" when all that's needed is mentioning his head.

Here's an example: "He was trembling with fear, but his little face was set and grim." Why not have it as "his face was set and grim"?

There's a lot about negotiation, about appropriate concern for interests vs. just insisting on one's own side. Negotiation in fantasy, but failed and successful, is a large subject and probably worth a book-length treatment.

I paid more attention to the aftermath about the dragon-hoard and the battle than previously, so I have appreciation for Beorn and the eagles, not to mention how dangerous dwarves are. And the good work Bard did caring for the Lake people.
nancylebov: blue moon (Default)
Two good ideas: The First Night midway on Thursday--I went to the juggling workshop, and while I didn't end up juggling three balls in twenty minutes (as promised), I did find out something about how much precision one can put into tossing a ball from one hand to the other, and one these days I might end up juggling three balls.

The Arisia party had a convention in one night--name badges, dealer's table, other stuff I don't remember. I wasn't there, but it sounded exceedingly neat, and I hope I have a chance to see such a thing at some future convention.

I spent most of my day time in the dealers' room, which made me realize that there were almost no panels in the evening. I vote for at least a few evening panels if that's tolerable for the panelists.

I might post about the panels I missed in the hopes of getting a little post-con discussion.

I did get to a Tolkien panel--I wish I remembered more of it, but it was good to hear a lot of people say that they don't hate Tom Bombadil. I don't either. Actually, this fits with my previous comments about silly endearments--a lot of people find even small amounts of silliness in fiction hard to take, and I wonder why.

Imho, part of the point of Tom Bombadil is that dignity doesn't matter. You can have dignity if you want (it's part of how Gondor works), but it doesn't make you either good or powerful.

My experiment with little buttons went reasonably well--they sold ok, and will presumably do better as I get a better idea of what slogans to put on them and how to display them.

If what I heard at my table was a fair sample, at least 80% of attendees were pro-Kerry/anti-Bush.

It was good meeting [livejournal.com profile] elisem and many thanks to [livejournal.com profile] papersky for staying up very late talking with me.
nancylebov: blue moon (Default)
Two good ideas: The First Night midway on Thursday--I went to the juggling workshop, and while I didn't end up juggling three balls in twenty minutes (as promised), I did find out something about how much precision one can put into tossing a ball from one hand to the other, and one these days I might end up juggling three balls.

The Arisia party had a convention in one night--name badges, dealer's table, other stuff I don't remember. I wasn't there, but it sounded exceedingly neat, and I hope I have a chance to see such a thing at some future convention.

I spent most of my day time in the dealers' room, which made me realize that there were almost no panels in the evening. I vote for at least a few evening panels if that's tolerable for the panelists.

I might post about the panels I missed in the hopes of getting a little post-con discussion.

I did get to a Tolkien panel--I wish I remembered more of it, but it was good to hear a lot of people say that they don't hate Tom Bombadil. I don't either. Actually, this fits with my previous comments about silly endearments--a lot of people find even small amounts of silliness in fiction hard to take, and I wonder why.

Imho, part of the point of Tom Bombadil is that dignity doesn't matter. You can have dignity if you want (it's part of how Gondor works), but it doesn't make you either good or powerful.

My experiment with little buttons went reasonably well--they sold ok, and will presumably do better as I get a better idea of what slogans to put on them and how to display them.

If what I heard at my table was a fair sample, at least 80% of attendees were pro-Kerry/anti-Bush.

It was good meeting [livejournal.com profile] elisem and many thanks to [livejournal.com profile] papersky for staying up very late talking with me.

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